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Nor would she run after Wentworth at the concert and beg him to stay, as if she were Marianne nor would Captain Wentworth ask for Anne's hand in the middle of a card-party. Anne would never blurt out at the dinner table that Mrs Smith is not the only widow in Bath with no name and little to live on (I have not got that quite right, but neither did the scriptwriter).
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"I bet you didn't guess that Louisa would fall in love with Benwick," says Captain Wentworth, and "Pray God she does not snub us," says Sir Walter of Lady Dalrymple. Remembering the sacred texts, the Janeite in me grieved for the absence of favourite lines, winced when they were distorted or replaced by new ones, and regretted lapses of register or felicity. This notion once admitted, I found myself wooed by the Byrons, the horses, the dancing, and the beguiling effects of theatre. These films are variations upon her themes they allude to and diverge from their originals much as she herself wrote books out of other books. Were Lady Russell's ravishing silk taffetas and toques, I asked crossly, to be the real protagonists? But I eventually realized that the switch from a verbal to a visual medium produces not Jane Austen but readings of Jane Austen. We all think we own Jane Austen-that is her particular seduction-so how comes it, when nobody can be pleased, that so many people have been? The heritage industry aspects of the Austen boom must obviously appeal, but I found myself sulking at those grand façades and lavish interiors, that lost pastoral Eden made up of villages and laundered sheep (when you come from a country with fifty million of them, you are not so easily impressed). Clueless, directed by Amy Heckerley, screenplay by Amy Heckerley. "Pride and Prejudice," directed by Simon Langton, screenplay by Andrew Davies, produced by BBC TV. Persuasion, directed by Roger Micheli, screenplay by Nick Dear. Anne Pilgrim York University Sense and Sensibility, directed by Aung Lee, screenplay by Emma Thompson.
#SENSE AND SENSIBILITY SCRIPT PDF SERIES#
106), but the notes taken altogether represent a missed opportunity to offer the reader help in the way the series editors suggest should be done. REVIEWS 427 of "Widdowson" in the third person as one who was "never himself much of a theorist " (p. In lieu of an abstract, here is a brief excerpt of the content: